Doll Dressing

The Museum at FIT · Colleen Hill, Curator

Open now
Cream wool coat with a blue faux-fur collar and pale green cuffs, its front appliquéd with six embroidered rooms — a sitting room with an armchair and a lamp, a bedroom, a kitchen, and a bathroom among them

Wool coat appliquéd with furnished rooms.

Details

September 16, 2026 – January 3, 2027

The Museum at FIT

Special Exhibitions Gallery

227 West 27th Street at Seventh Avenue
New York, NY 10001

Links & Downloads

A groundbreaking exhibition examining the enduring and often unexpected relationship between dolls and fashion, Doll Dressing centers on the cultural interplay between dolls and dressed appearance in the twentieth and twenty-first centuries. Featuring more than 170 objects — including fashion dolls displayed alongside full-size garments, accessories, videos, and artworks — the exhibition highlights how the influence of dolls extends far beyond childhood play. Curated by Dr. Colleen Hill, senior curator of costume at MFIT, Doll Dressing features designers and labels including Balenciaga, Comme des Garçons, Maison Martin Margiela, Marc Jacobs, Patrick Kelly, Loewe, Louis Vuitton, Moschino, Anna Sui, and Undercover, ultimately showing how dolls aren’t just toys — they’re muses, canvases, and even prototypes for designers.

Doll Dressing poses a compelling and previously overlooked question: How have dolls influenced fashion? While dolls such as Barbie are widely recognized as objects of play, these dolls have historically functioned as powerful transmitters — and even originators — of style. As early as the fourteenth century, dolls circulated throughout Europe as miniature fashion models, communicating the latest trends in three-dimensional detail. By the early twentieth century, dolls were not only reflecting fashion but actively shaping it. Hill defines this phenomenon as “doll dressing,” a concept encompassing clothing, accessories, hair, makeup, and even gestures that draw inspiration from dolls. The exhibition ultimately reveals that doll dressing can be both expressive and subversive, offering a means of exploring identity, fantasy, and personal style.

On making it

A friend of mine recommended that I listen to a New Yorker Critics at Large podcast from late 2023 that talked about how it was “The Year of the Doll.” The podcasters — Vinson Cunningham, Naomi Fry, and Alexandra Schwartz — talked about the Barbie film, which was released in the summer of that year, but also films like Priscilla and Poor Things and Emma Cline’s novel The Guest, which I read and found very haunting. Essentially they were talking about the trope of the living doll as this sort of vacuous, silent character and what happens when that idea is upended. They mentioned fashion very briefly in their discussion, I think they talked about Taylor Swift and there were a couple of other references to how the dressing side of dolls could be fun. But of course, as a fashion curator, the clothes were what was foremost on my mind and I started to think about how I might translate that idea of the living doll into a fashion exhibition.

Colleen Hill

From an interview with Rachel Elspeth Gross, “Dr. Colleen Hill on Doll Dressing at The Museum at FIT,” Forbes, October 31, 2026.

More views

Trousers embroidered with marionettes.

Suit printed with trompe-l’œil drapery and a bow.

Pop-print mini dress, with knee socks and Mary Janes.

Doll in a monogrammed trench coat.

Doll in a floral sundress.

Doll-scale ensemble, with shawl and bag.

Circle-print shift dress, with matching kerchief.

Colour-blocked pinafore, trimmed with ric-rac.